The Cinefessions crew loves sharing their opinions on films, but not every movie can get the attention it deserves with a full review. Enter the Cinefessions’ Capsule Reviews. These capsule reviews cover five of the most important aspects of a film, which allow the crew to deliver their opinions on any movie clearly, decisively, and…
April in The Asylum: Branden Chowen on The Amityville Haunting (2011)
For the entire month of April, Cinefessions will be locked into The Asylum, reviewing films released by the famed studio. Every Monday, Wednesday, and Friday throughout April you will get another review on a film released by The Asylum. April’s podcast will also be devoted to films from The Asylum, and you can decide which three…
Film Swappers #1 – The Burning (1981)/Creature (2011)
2013 is upon us, and Cinefessions is finally ready to ring in the new year! Last year was a solid year for the newly named Cinefessions, and though I still haven’t written up my annual Yearly Award lists, I want to introduce a new feature on the website. My buddy and I have been chatting…
Movie Review – Little Deaths (2011)
Title: Little Deaths (2011) Runtime: 94 minutes Directors: Sean Hogan (House & Home), Andrew Parkinson (Mutant Tool), and Simon Rumley (Bitch) — And I thought torture porn was dead. When it comes to the fine line between horror and porn, Little Deaths falls just on the horror side. Barely. This film is incredibly graphic, insanely…
Movie Review – Fright Night (2011)
Title: Fright Night (2011) Runtime: 106 minutes Director: Craig Gillepsie — I’ve heard a lot of negatives about this remake before I watched it, but still had to check it out because we recently picked up a (kick ass) 3D TV. Having never seen the original, I didn’t really know what to expect, but hoped…
Movie Review – Detention (2011)
Title: Detention (2011) Runtime: 93 minutes Director: Joseph Kahn — What a trip this film is, fueled by ’90s references and sheer craziness to deliver its most important message: “it’s just high school. It’s not the end of the world.” It’s difficult to find a spot to even begin with this pseudo-slasher film. I say…
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